Rubbing It In
Because it’s not enough that the vigorous bondage blowjob left Nadia White drooling his jizz all over her own chest:
Nope, he had to literally rub it in:
From Sexually Broken (the 10/21/16 update).
Similar Sex Blogging:
|
December 8th, 2016 -- by Bacchus
Rubbing It InBecause it’s not enough that the vigorous bondage blowjob left Nadia White drooling his jizz all over her own chest: Nope, he had to literally rub it in: From Sexually Broken (the 10/21/16 update). Similar Sex Blogging: December 7th, 2016 -- by Bacchus
The Empress Of All The NudistsWhen you are the empress of the nudists and you want to go somewhere, all you need to do is to just round up a few cheerful strong pony-people and you get to travel in style! I’ve seen this photo before, but only today did I stumble over it’s origin: it’s from the cover of a 1930 issue of Licht-Land (“Land of Light”) magazine, a naturist publication that was the “official organ for the league of free life improvement.” Similar Sex Blogging: December 6th, 2016 -- by Bacchus
Bernard Montorgeuil: Editions Bel-Rose (Volume 1)
Readers might remember my “deep dive” post last May into the erotic art of Bernard Montorgueil, the mysterious 20th-century femdom artist whose name, it now appears, is more likely to be properly spelled “Montorgeuil”. For this spelling correction and a great deal more besides, I am indebted to Stephen M of Paris Olympia Press: A Collector’s Blog.
In my May post, I seized with interest upon the fact that a Christie’s auction description of four Montorgeuil manuscripts sold in 2014 included this scan of an illustration that wrapped across two pages and surrounded the manuscript text, in a way that had never before been seen (by me, anyway) on the internet. I immediately wondered if those manuscripts included more such “illumination”, and began thrashing through the bibliographical descriptions of other known published editions, trying to determine whether any true facsimile editions are “out there” that I might be able to get my hands on for scanning purposes. My conclusion at the time was that the most likely editions were by Bel-Rose in Rotterdam in 1970; another series of editions by Dominique Leroy are known (as I showed in my May post) to have cropped and rather garishly colorized versions of the artwork. Thus my current indebtedness to Stephen M: in a series of four posts, he clarified that the Bel-Rose editions appeared in simultaneous French and German editions, identical in all respects except that the French editions reproduce the hand-calligraphy of the Christie’s manuscript, while the German editions were printed in a standard typeface. More importantly for our purposes, he posted a complete set of good-quality scans of the illustrations from all four volumes. The scans dashed my hopes of finding numerous more pages of hitherto-unseen detail-art wrapped around the calligraphy; the page scanned thus by Christies appears to have been the only such. But in compensation, now we have the complete set of the artwork from the Bel-Rose editions! The art is uncolored, having neither the delicate coloring of the original manuscript nor the garish colorization of the Leroy editions. Here are the proper titles and bibliographic information for both sets (French and German) of the 1970s Bel-Rose editions, pieced together from various sources: Les jardins des delices des supplices: 1. Les quat’ jeudis (Editions Bel-Rose, Rotterdam 1970) Die Gärten der lustvollen Freuden: 1. Vier Donnerstage (Editions Bel-Rose, Rotterdam 1970) And now let’s see the art from the first volume. (Galleries of the art from volumes 2-4 will appear in future posts.) Vier Donnerstage: More next time! Similar Sex Blogging: December 4th, 2016 -- by Bacchus
Going Back In“Prepare for re-entry!” Artwork is by Kovacq. Similar Sex Blogging: December 2nd, 2016 -- by Bacchus
Patronize This! #1I am in the research phase of setting up a Patreon page for ErosBlog, with an eye toward keeping the lights on and building the chance to do more of what I do best. “Research phase” in this context means studying how people I respect are doing it; and thus have I have been reading a lot of compelling Patreon pitches, and coming to the conclusion that we all need to be doing more to highlight patronage-supported projects of our friends, peers, mentors, heroes, and creative people we could not live without. Hence this post, which I hope will be the first of a lengthy if occasional series. Today I want to highlight the Patreon pages of three women who have been doing excellent work in the adult/erotic space for at least as long as I’ve been blogging. But first, perhaps just a few words about the growing importance of the peer-patronage economic model? As I see it, we live in a world where the old economic orders are breaking down. Automation, globalization, and information technology have utterly disrupted the reliable wage-and-salary economies upon which most of us depended, while the internet has killed the traditional publishing models that used to keep artists and creatives (a few of them, anyway) in day-old bread and thinning shoe leather. Late-stage capitalism seems increasingly predatory and self-referential; it pays only for what it values, its values are increasingly estranged from the culture that supports it, and precious little sustenance trickles down from the well-caulked boats being buoyed up on its rising tide. The creativity that brings us joy is no longer likely to be well-supported in the market, and relying on the patronage of the wealthy (although a time-honored survival strategy of artists everywhere) has its limits in the tastes of the wealthy. If this were not true, why would #pornocalypse — which at heart is about the squeamish unwillingness of the investing class to have its money associated with sexual culture — even be a thing? One approach to a solution is crowdfunding. A duke or a titan of industry can support an entire opera company, but the company (predictably enough) will perform mostly the operas the duke enjoys. The internet lets us democratize this patronage model; I’m no duke, but I can (at least in a good month) afford a dollar here or a fiver over there to support something that delights me. The same internet that destroyed the traditional publishing model now lets an artist who draws anally-obsessed anthropomorphic ponies find support in a hundred or a thousand places. No more insufficiently-perverted dukes gate-keeping our pornography! But finding each other is still a challenge in this newly-democratized peer-patronage model. The internet makes such finding possible, but does not make it easy. So that’s my inspiration for this post: to try and help with that. Here are three tireless women who deserve all the support they can get, and whose creative energy will more than repay us for whatever support we can provide. I’ve “known” all of them for more than a decade without ever meeting any of them, but what I “know” may not always be the face that they choose to present to the world today, so for purposes of this series, I’m just going to amplify their own words as found on their own crowdfunding pages:
Image Credit (directly above): Movie patrons in an advertisement for the National Cash Register Company’s new ticket-printing register, from the Motion Picture Studio Directory and Trade Annual 1916. Image Credit (top of post): An opera company seeks royal patronage for French opera by throwing vulgar English theatre under a train, from an 1841 issue of Punch. December 1st, 2016 -- by Bacchus
Running AwayI’ll confess, it’s not one hundred percent clear to me why this man with no pants appears frightened and is running away from the nice nurse and her two friendly friends: Thanks to Pulp Librarian for the artwork. November 30th, 2016 -- by Bacchus
Winning The SexfightHere’s a special little tale of conflict that might have inspired the concept of the winner-fucks-loser girl-wrestling website Ultimate Surrender:
The sex fight goes on inconclusively like this for quite some little time, before the ladies decide to get serious about it… From The Challenge by Hal. Similar Sex Blogging: |