Hippie Musicians For The Win
Sunday, November 4th, 2012 -- by Bacchus
I just don’t understand how acoustic folk music ended up with such a bad rap by the early 1970s. I just don’t:
Similar Sex Blogging:
Hippie Musicians For The WinSunday, November 4th, 2012 -- by Bacchus I just don’t understand how acoustic folk music ended up with such a bad rap by the early 1970s. I just don’t:
Similar Sex Blogging: The Pipes Of PanSaturday, October 23rd, 2010 -- by Bacchus Learn the pipes. Play the pipes. Trust the pipes. The pipes will come through for you:
But only, perhaps, if you are a minor forest deity. Your mileage may vary. (I’d really like a provenance for this art; right now, I don’t have any.) Similar Sex Blogging: More Lisa KirkSunday, August 16th, 2009 -- by Dr. Faustus A little while back when Bacchus posted a picture of Lisa Kirk on crutches I took one look at it and thought “I bet that woman has a really sexy…voice.” (Yes. I do know I’m weird, thank you.) And a peek at the Wikipedia article that Bacchus linked to indicated that Lisa Kirk was not just any singer, but a contralto, which is a very rare (to say nothing of sexy) voice type. Must investigate further, I thought. Through the miracle of modern commerce I managed to swiftly get ahold of a CD copy of Lisa Kirk Sings at the Plaza. I was not disappointed.
Boy does she ever have sexy voice. Follow the link above for samples. In addition to an astonishing contralto, Lisa Kirk (at least in this recording) cultivated an appealingly Bad Girl stage persona, as can be seen from the lyrics added to the version of “Anything Goes” she performs. Cole Porter didn’t write them (although I bet he might have approved). They have a feel about them that would make an ErosBlog anthem. (And I bet seemed pretty naughty back in 1958 when Kirk recorded it.)
After hearing that I felt inclined to say like Eloise “Oo, I simply adore the Plaza.” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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