Goblin Market

Think those Victorians were all stuffy? Well, here’s a read for you: Deborah Lutz‘s Pleasure Bound: Victorian Sex Rebels and the New Eroticism. It’s a rich text which I shan’t attempt to review here. Instead I’ll dwell on one little thing it brought to my attention which by itself made the book worth its purchase price.

In 1862 Christina Rossetti (1830-1894) a distinguished poetess and sister to the pre-Raphaelite painter Dante Gabriel Rossetti published a volume called Goblin Market and Other Poems. The title poem (you can find the whole text here) was about two sisters Lizzie and Laura who would sleep

Golden head by golden head,
Like two pigeons in one nest
Folded in each other’s wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall’n snow,
Like two wands of ivory
Tipped with gold for awful kings.

All very innocent, I’m sure. Here is the cover illustration by brother Dante Gabriel.

Unfortunately not all is well, for goblin men with succulent fruits and tempt Laura. Paying the goblin men with a precious lock of her golden hair, Laura goes, well, hog-wild.

She dropp’d a tear more rare than pearl,
Then suck’d their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flow’d that juice;
She never tasted such before,
How should it cloy with length of use?
She suck’d and suck’d and suck’d the more
Fruits which that unknown orchard bore;
She suck’d until her lips were sore;
Then flung the emptied rinds away
But gather’d up one kernel stone,
And knew not was it night or day
As she turn’d home alone.

“Suck’d and suck’d and suck’d the more.” Obviously this cannot be good because hey girl, it’s the twenty-fifth year of the reign of Queen Victoria and FEMALE PLEASURE BAD!

And of course Laura promptly starts wasting away, unable to hear the call of the goblin men anymore or get any fruits. But fortunately redemption is available in the form of an act of sacrifice by heroic sister Lizzie, who seeks out the goblin men, silver coin in purse, to buy more fruits. The goblin men try to force fruit into her mouth and basically beat her up but Lizzie resists to run home covered in juice and declare to her sister

She cried, “Laura,” up the garden,
“Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, suck my juices
Squeez’d from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men.”

Redeemed by this act, both sisters can now grow into proper womanhood. I am not making this stuff up, people. This was children’s literature from 150 years ago, but today — and not just for people who read ErosBlog — it feels almost impossible to read it as such. Which I guess goes to show that certain kinds of innocence really do go out of the world. (Playboy in 1973 apparently redid Goblin Market with rather ribald illustrations, but I have been unable to find usable pictorial excerpts.)

Thank you, Professor Lutz! And I’ve barely even gotten to all the stuff about Algernon Charles Swinburne yet…

Ladies And Snakes

I would guess that the following image, Nastassja Kinski with a big old snake, would be pretty familiar to ErosBlog readers.

Today’s Sunday meditation is on why the image is so striking and has so much staying power. I think it goes beyond how beautiful Nastassja Kinski is, or even the rather too-obvious phallic symbolism of the snake.

It is probably no accident one of culture’s founding myths is that of a woman who gives in to a temptation offered by a serpent. (There are, of course, too many tellings of this story to count, but I shall here prefer that of the great cartoonist J.B. Handelsman, which begins as follows. Handelsman throws in a question that shows him not just to be a great cartoonist, but an astute theologian as well.)

Fear of snakes runs very deep, most likely hard-wired into us by our evolutionary past. Is it much of a wonder that a serpent should have been the guardian of knowledge? For only in overcoming the natural and learning not to fear what we have been wired to fear can we have higher knowledge.

And perhaps pleasure also: just as many forms of pleasure involve overcoming hard-wired forms of disgust (think about eating oysters, and whatever sexual analogies you wish to branch out to therefrom) there is pleasure in learning to overcome disgust.

And unsurprisingly, there are records of this in the artistic record. Bacchus has blogged about this before, but there is a remarkable tradition of eroticism involving women and snakes especially.

One of my favorites here is a sculpture by Auguste Clésinger (1814-1883), called Femme piquée par un serpent, “Woman bitten by a snake.” The original is in the Musée d’Orsay in Paris. The snake is absent, but his effects are not, and the subject herself is looking curiously ecstatic.

(Click image for larger size.) Another view of her:

An interesting bit of trivia on the side: this sculpture was made from actual body casts (ASFR fans, take note) of Clésinger’s model Apollonie Sabatier, an extraordinary woman reputed to be part of the inspiration for Charles Baudelaire’s Les Fleurs du mal.

Another example is a remarkable painting of Lilith done by the British artist John Collier (1850-1934).

What a snake! Readers are invited to suggest their own images in this theme in comments.

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